Friday, 20 December 2013
DHOOM 3 ("AAMIR KHAN SHOW")
AAMIR KHAN 0.5
It has been common practice
in Bollywood to overdo things especially when the next instalment in a
successful franchise comes out. But the only speciality in Dhoom 3 was always
gonna be Aamir Khan and that is all the movie has to offer as well.
Sahir (Aamir) decides to
ruin Western Chicago Bank after his father (Jackie Shroff) commits suicide when
the bank denies credit facilities. As Sahir leaves hindi words at the crime
scene Jai (Abishek) and Ali (Uday) are asked to help the American police in
finding the culprit.
This all seems a little bit
acceptable considering it’s a Hindi masala film, but the writers seem to treat
the audience as fools if you look at the way the screenplay is structured. Even
in a developing country like India, if someone steals from a bank without a
mask and flees afterwards in a bike wearing a helmet which also does not cover
his face, it will only take about a few days to lock him up. If the same is
happening in the USA it’s just a matter of a few hours before he gets caught.
But here Sahir walks free in the city he runs a popular circus show and what
more, he even walks right into the bank which
he has robbed; thanks to the
brilliant script!
What is really sad though,
is the fact that the core idea of Dhoom 3 has been taken from the legendary
Nolan film “The Prestige”. And as expected this one is a 3rd rate version
of the landmark Nolan film.
It will run into pages if
we start talking about such absurdities. Next comes the masala element; it’s
Christmas time people want to enjoy so it’s only fair that the makers want to
provide them with out of the world action sequences among other things. But
when it’s like the autorickshaw fight in the beginning which is neither
required for nor relevant to the movie, the word to describe it is definitely
not masala! There would be no impact at all if you remove the first 40 minutes
or so of the movie barring a few scenes, such good is the script.
Katrina who is into
somersaults jumps and gymnastics most of the time is there mainly for providing
the glamour quotient. Abishek does what is required by every Indian hero who
goes to America to help them solve a “difficult” case; he has a solution for
everything and he is the one who discovers everything no matter how evident or
apparent it is that a school kid could more than easily do the job. Uday Chopra
entertains at times playing the silly playboy Ali.
But if at all you should
watch Dhoom 3, it should only be for the amazing Aamir Khan who just entertains
you with his genius, though the script does not provide much scope for him to
perform. He plays the characters with such ease and grip and at times is really
endearing. The technical team has also done a commendable job with the visuals
mainly. And that is that you get from the film.
I
am giving 2.25 Dhoom 3 and a 0.5 for the amazing Aamir Khan. This is saddening.
Rating Scale (Out
of 5)
Less than 2
-
Unwatchable.
2 to 2.25
-
Below average.
2.5 to 2.75
-
Average.
3 to
3.25
-
Good.
3.5 to
3.75 -
Really Good.
4 to
4.25
-
Great.
4.5 and
above
- Extraordinary.
Friday, 13 December 2013
THE HOBBIT: THE DESOLATION OF SMAUG ("HERE COMES SMAUG")
December 13, 2013.
Cast: Martin Freeman, Sir Ian Mckellen, Richard Armitage, Benedict Cumberbatch.
Cast: Martin Freeman, Sir Ian Mckellen, Richard Armitage, Benedict Cumberbatch.
Director: Peter Jackson.
After just an year of “An
unexpected journey” Peter Jackson is back with the sequel “The Desolation of
Smaug”. With the 1 billion USD collections for the first part covering almost
the whole production expense for the trilogy it was always going to be a
profitable venture. Still Peter Jackson ensures that he does not compromise on
quality with this sequel.
Continuing from where the
first part left off, the pack of dwarves and Bilbo led by Thorin Oakenshield
are forced to advance towards the Lonely Mountain by themselves after Gandalf
is instructed by Lady Galadriel to check on the growing strength of the evil
Necromancer. Azog the defiler is ordered by his master to give up chasing
Oakenshield as there are preparations to be made for the brewing war.
It was quite evident to
everyone that Peter Jackson had to give something much more spectacular than
the first part to keep the audience engaged considering the inability of “An
unexpected journey” to match upto the Lord of the Rings. As a fan and otherwise
I am personally satisfied that he does
manage to bring this sequel a notch
higher in almost all the departments.
The fight sequences which
happen to come so very easily to Jackson are one of the many highlights here
too. The barrel fight in the falls is one that everyone would enjoy very much for
the kind of shots, camera and CG work, the stunt choreography and the sheer
creativity. The level of fighting enters a different league altogether once
Legolas and Tauriel enter the scene.
The film hits a rough patch
at times mainly when Jackson tries to build up his characters and certain situations,
which though may be required for the film, would not have hurt if absent! The
BGM also gets substandard at times appearing more like an amateurish band
rather than being part of the film’s soul.
Still there is a certain
soul to the film that keeps it going and once the action picks up you almost
completely forget those letdowns especially when you are treated with the
interesting and amazing encounter between Bilbo and Smaug. The conversation
they have, shot beautifully, keeps the future of the quest so beautifully
suspenseful and when it’s the arresting voice and tone of Benedict Cumberbatch
(Smaug) you are left wishing for more.
Though flooded with
characters, The Desolation of Smaug mainly belongs to Bilbo, Thorin Oakenshield
and Smaug, with Gandalf, Legolas and Tauriel amongst others offering support.
The latter part of the
second half gets so thrilling that it takes a minute or two after the sudden
climax for you to realise it has ended after having seen a few dragging scenes
earlier. With Smaug awakened the stage is beautifully set for the final part to
unleash all the action that the fans have been waiting for.
I
am giving 3.5 for The Hobbit: The Desolation of Smaug. Smaug has arrived, let
us wait for “There and Back Again”.
Rating Scale (Out
of 5)
Less than 2
-
Unwatchable.
2 to 2.25
-
Below average.
2.5 to 2.75
-
Average.
3 to
3.25
-
Good.
3.5 to
3.75 -
Really Good.
4 to
4.25
-
Great.
4.5 and
above
- Extraordinary.
IVAN VERA MATHIRI ("SATHYAMA ILLA!!")
December 13, 2013.
Cast: Vikram Prabhu, Surabhi, Vamsi Krishna.
Cast: Vikram Prabhu, Surabhi, Vamsi Krishna.
Director: Saravanan.
It is sad when a young
director gives you hope after a decent realistic film in his debut and then
gets confused on what to do next ending up offering a substandard masala film.
Gunasekaran (Vikram Prabhu)
is a normal city guy belonging to a middle class family. He gets involved with
a local gangster (Vamsi Krishna) after he decides to bring down a corrupt
politician who happens to be the former’s brother. After a few totally
unexpected meetings with Malini (Surabhi) the two fall in love. But trouble follows
when the gangster wants Guna dead.
It is difficult not to
mention the misfire right at the beginning with the unnecessary song in the
background during the law college fight. It is known to everyone how bad things
are in law colleges nowadays with a lot of untoward incidents happening almost
on a regular basis but by emphasising it a tad too much with a song conveying
the same spoils the whole thing. Starting with the above it’s misfire after
misfire at regular intervals.
Almost all the songs in the
movie are unnecessary and it’s better not to start talking about the BGM which
gives one helluva pain for your eardrums.
The director has tried
doing justice to the title of the film by trying to give an image to Guna in
one of the songs by highlighting certain activities of his which are things not
everyone does normally, but sadly that is all that you get. After that the
screenplay slips into a very mediocre level making the film a normal hero V/s
villain film with the usual masala set up.
Things keep happening
mechanically half the time and the film progresses on such a narrow level with
no importance or relevance given to any of the characters except the hero,
heroine and villain. The dialogues and scenes towards the end, especially when
Malini is tied to the metal bars as a dummy, are so silly that you would laugh
out loud despite trying so hard not to.
The next area of
disappointment is the fights, most of which have over usage of ropes, making
lifting the opponent look like lifting a piece of paper. Going by common sense,
with the kind of beating that they take with iron rods, metal objects, concrete
etc among other things, both the hero and villain should have died several
times.
All this and a lot more ,which
if told would expose the story, makes one wonder if this is the same director
who gave us a simple and decent movie an year back.
I
am giving 1.5 for Ivan Vera Mathiri. This one lacks common sense and has no
entertainment value.
Rating Scale (Out
of 5)
Less than 2
-
Unwatchable.
2 to 2.25
-
Below average.
2.5 to 2.75
-
Average.
3 to
3.25
-
Good.
3.5 to
3.75 -
Really Good.
4 to 4.25
-
Great.
4.5 and
above
- Extraordinary.
Saturday, 7 December 2013
SILENCE ("TESTS YOUR PATIENCE")
December 7, 2013.
Cast: Mammootty, Anoop Menon.
Cast: Mammootty, Anoop Menon.
Director: VK Prakash.
Silence came out with a
tempting cast and director combo which naturally upped the expectation but this
one disappoints right from the start.
Aravindan (Mammootty) a
leading advocate is just about to go to the next level in his career as the
Bangalore High Court Judge. He has a wonderful family and a group of friends
and leads an enviable life. All of a sudden a stranger starts harassing him
over the phone, starts following him more or less like a shadow for no apparent
reason and when all that crosses the limit Aravindan goes to his friend Neal
George IPS (Anoop Menon) for help.
Right from the beginning you
feel something is missing in the film every now and then be it the dialogues, scenes
or the direction. Songs keep coming just for the sake of driving home certain clichéd
points. But for the only reason that it is a VK Prakash film with Mammootty and
Anoop Menon in the lead you keep waiting for the story to get engaging and you
keep waiting and waiting and waiting.
Apart from the shabby
direction and an even shabbier screenplay trying to instil suspense and
intrigue into the audience, which fall flat, nothing much really happens in the
more or less innocuous first half. The second half brings the utterly silly reason
behind all the craziness that is happening in Aravindan’s life and it has to be
told that this is one of the most ordinary VK Prakash films; one of the most
ordinary suspense thrillers rather!!
There are very very few
moments in the film that are worth watching and most of the time it is more of
a messy collage of different scenes rather than a smooth flowing affair;
substandard editing being one of the reasons. To make matters worse there is a
really annoying piece in the BGM which keeps playing at regular intervals
throughout the second half irrespective of it’s relevance to the situation;
something which really tests your patience more so because it tries to project the
superhero image of the protagonist when a normal scene with no BGM at all would
have sufficed!
Towards the climax one
starts to wonder if this was a thriller or more of a masala action film with
the stupid underwater fight sequence among other things.
Silence feels like a looong
journey inspite of the runtime being just two hours.
I
am giving 1.5 for Silence. The theatres playing the movie are gonna be silent
very soon.
Rating Scale (Out
of 5)
Less than 2
-
Unwatchable.
2 to 2.25
-
Below average.
2.5 to 2.75
-
Average.
3 to 3.25
-
Good.
3.5 to
3.75 -
Really Good.
4 to
4.25
-
Great.
4.5 and
above
- Extraordinary.
Friday, 6 December 2013
THE HUNGER GAMES - CATCHING FIRE ("GET SET..")
December 6, 2013.
Cast: Jennifer Lawrence, Josh Hutcherson, Woody Harrelsen, Liam Hemsworth, Philip Seymour Hoffman.
Cast: Jennifer Lawrence, Josh Hutcherson, Woody Harrelsen, Liam Hemsworth, Philip Seymour Hoffman.
Director: Francis Lawrence.
Hunger games- Catching fire
was one of the most awaited films of the year and just as the name goes, the
film does set the screen on fire!!
After their victory in the
74th Hunger Games, Katnis and Peta are made to tour all the
districts by the President mainly to act as a distraction. The mood in all the
districts are slightly changing as they feel they can see the mildest bit of
hope that their lives could be better. As the President gets the smell of a
brewing revolution he suddenly decides to hold the 75th Hunger games
with the prior Victors as participants with the help of Plutarch (Hoffman) in
which he wishes to see Katniss killed which he believes could thwart the
impending revolution.
The mood that the first
part had is amply carried forward to Catching Fire right from the beginning. The
first half of the film takes it’s own time to set the theme and mood before
throwing the audience into all the action just like the first part. By the time
you hit the interval you are very much sucked into the grim imaginary world of
the Hunger games.
While the first part had
Katniss doubtful about her feelings towards Peta and Gale this one gives us a
much clearer picture that is very well executed and acted that at times you
really want the lead pair to kiss each other with all the passion and tension
floating around.
Coming to the technical
side the graphics, visual effects and cinematography are just as impressive as
the first part and combined with the really amazing screenplay offering ample
scope for varied effects it is a treat for the general audience and the fans
alike. The writers have taken special care to give you the amazing fight
sequences and the drama in the correct proportion making
Catching fire more
than just an action movie.
Jennifer Lawrence revels as
the smoldering Katniss Everdeen well supported by the rest of the cast
especially Josh. The scenes having the both of them together explores the growing
romance in a beautiful way.
With the terrific climax
here the stage is all set for The Hunger Games – Mocking Jay Part 1 that is
scheduled to release in November 2014.
I
am giving 3.75 for The Hunger Games – Catching Fire. A revolution begins.
Rating Scale (Out
of 5)
Less than 2
-
Unwatchable.
2 to 2.25
-
Below average.
2.5 to 2.75
-
Average.
3 to
3.25
-
Good.
3.5 to
3.75 -
Really Good.
4 to
4.25
-
Great.
4.5 and
above
- Extraordinary.
Saturday, 16 November 2013
Saturday, 2 November 2013
ALL IN ALL AZHAGURAJA ("INTOLERABLE CRUELTY")
November 2, 2013.
Cast: Karthi, Santhanam, Prabhu, Kajal Agarwal.
Cast: Karthi, Santhanam, Prabhu, Kajal Agarwal.
Director: Rajesh.
First it was Santhanam’s
dialogue mocking the “Smoking kills” ad that landed the film in trouble; next
Rajesh gave a shock telling from now on his films would be having only
situational comedy (something which he has not proved himself to be good at);
now finally when the film has come out it looks like the biggest trouble is the
film itself!
Azhaguraja (Karthi) runs a
local channel AAA TV with the help of Kalyanam (Santhanam). His father (Prabhu)
owns a stationery shop and his mother (Saranya) is a homemaker. As is customary
in a lotta Tamil films he falls for Chitra Devi Priya (Kajal) at first sight.
Apart from the point above,
till OKOK, Rajesh’s films had some kind of a story in them but Azhaguraja is different
from them in this aspect also, the film keeps drifting aimlessly for an
unbearable 2 hrs and 54 minutes; more or less like the answer to a 20 mark question
in a Madras University Exam!!
Karthi and Santhanam try
their very best to make something out of the intolerable screenplay but sadly
all their efforts go in vain owing to the dull writing and execution. The
flashback that comes in the second half where Karthi plays Prabhu’s younger
days is more like a caricature gone horribly wrong. It will make one wonder
what the director was thinking while making those portions because of the
preposterousness of it all! Karthi makes a mockery of himself trying to imitate
Prabhu with a single exception of the song with Radhika Apte.
There is only one scene
that provides entertainment in whole film where Kajal’s father laments about
the sufferings he has gone through because of her singing. The portion where
M.S Bhaskar teaches Bharatanatyam to Kajal is also acceptable when compared to
the rest of the film.
With one of the worst
screenplays, dry dialogues that make the most cheerful of persons indifferent
and tasteless songs All in All Azhaguraja is a real pain. Please stay away!
I
am giving 0.75 for All in All Azhaguraja. This is Intolerable Cruelty!!
Rating Scale (Out
of 5)
Less than 2
-
Unwatchable.
2 to 2.25
-
Below average.
2.5 to 2.75
-
Average.
3 to
3.25
-
Good.
3.5 to
3.75 -
Really Good.
4 to
4.25
-
Great.
4.5 and
above
- Extraordinary.
Friday, 1 November 2013
KRRISH 3 ("TRASH IT")
November 1, 2013.
Cast: Hrithik Roshan, Priyanka Chopra, Vivek Oberoi, Kangna Ranaut.
Cast: Hrithik Roshan, Priyanka Chopra, Vivek Oberoi, Kangna Ranaut.
Director: Rakesh Roshan.
Koi Mil Gaya was something
really novel when it came out and barring a few scenes it was really a good
entertainer with a good script, wonderful songs and amazing acting by Hrithik.
Krish could not really match upto Koi Mil Gaya. Yet Rakesh Roshan has come out
with Krrish 3 this diwali boasting of a Rs. 250 crore budget, merchandise and a
Krrish 3 video game.
Krishna (Hrithik) is
happily married to Priya (Priyanka Chopra) and Rohit (Senior Hrithik) is trying
to develop a machine that could harness solar energy and convert it into life
creating technology. Kaal the super powered Tele Kinesis expert (Vivek Oberoi)
on the other hand is doing just the opposite to earn billions in order to cure
himself of the Paralysis that he was born with. He develops a deadly virus and spreads
it using his genetically created “Maanvars”, Kaya (Kangna) being the main one.
Once the virus hits Mumbai, it is upto Krishna and Rohit to come up with a
cure.
If the story of Krrish 3 is
pretty ordinary, the screenplay is even worse. There is a bunch of unnecessary “Maanvars”
with different abilities (each one of them being a substandard version of the
mutants in the legendary X Men series) created for the sole purpose of acting
as punching bags for Krrish. And then there is the ridiculously silly twist
where Kaya falls for Krrishna turning against Kaal!! Things keep happening
pretty much mechanically and there are lot of unconvincing scenes which would
have worked out well for the film had it been released a decade or two back!
In one such scene a Krrish
statue (more or less like the great Rocky Balboa statue) is unveiled with a
huge crowd worshipping him singing songs in his praise and you are left
wondering if you are in 2013!! Trying to turn Krrish into a philosophy,
something larger than a person is all good but choosing an overused method for
it is really lamentable; especially when you have dialogues borrowed for that
from Sarkar (which in itself was a copy); “Krrish
ek soch hai”.
The copying does not end
with the X men, Sarkar or Rocky; it continues even in the fight sequences some
of which are blatant copies of X men first class and Man of steel (the climax
fight in the sky between Krrish and Kaal).
Rakesh Roshan-Hrithik
Roshan-Rajesh Roshan combo have always entertained us with beautiful songs;
both stylish and soothing. That department also takes a hit in Krrish 3 with
songs that are so bad and unnecessary at the same time.
One point to be conceded to
Rakesh Roshan is in the department of the VFX; though it is not as evolved or
appealing as Shankar’s “Enthiran” the half baked product has clear signs of a
lot of hard work put in by the team and the director! But all said and done it
is sad that even with such a huge budget Rakesh Roshan could not come up with a
product that is appealing enough.
The only saving grace of
the film is the amazing Hrithik who is super committed and dedicated. He excels
in the emotional scenes though the scope is limited, playing both Rohit and
Krishna with such charm.
I
am giving a generous 2 for Krrish 3 especially for Hrithik. This one does not
have the soul that made Koi Mil Gaya such a phenomenon!
Rating Scale (Out
of 5)
Less than 2
-
Unwatchable.
2 to 2.25
-
Below average.
2.5 to 2.75
-
Average.
3 to
3.25
-
Good.
3.5 to
3.75 -
Really Good.
4 to
4.25
-
Great.
4.5 and
above
- Extraordinary.
Thursday, 31 October 2013
ARRAMBAM ("ANYAAYAM")
October 31, 2013.
Cast: Ajithkumar, Arya, Nayantara, Taapsee, Rana Daggubatti.
Cast: Ajithkumar, Arya, Nayantara, Taapsee, Rana Daggubatti.
Director: Vishnuvardhan.
Mankatha provided a really good comeback for Ajith. What followed was a disaster in the form of Billa 2 and even before we have recovered from that impact here comes Arrambam.
Ashok (Ajith) is introduced as a terrorist who is bent on destroying certain people. He is aided in this endeavour by Maya (Nayanthara), who happens to be the computer whiz Arjun’s (Arya) classmate. Arjun is in love with Anitha (Taapsee).
Arjun is tricked into coming to Mumbai along with Anitha by Ashok who wants Arjun’s help in his endeavours. He starts coercing Arjun into doing things against his wishes with the threat of killing Anitha in case of non cooperation. Any viewer with an interest for English films would clearly see “Swordfish” by now but to make it worse what follows is a few so called twists (all of which fall flat), a horrible flashback and some scenes that really test your patience!!!
The script is very very mediocre letting anyone who has watched a few films guess what is coming and a few minutes after the interval you can very easily predict the climax. The first twenty minutes or so in the film is literally unbearable with two irritating songs, a stupid flashback involving Arya, Nayanthara and Taapsee, stupid makeup (Arya’s) and bad acting!!
Once you have passed that test of patience you would be subjected to a lotta unnecessary slow mo shots, completely trite background score, substandard direction and a lotta bad acting yet again. After all this it’s time for the flashback explaining how an honest Ashok was turned into a terrorist of sorts; Nayanthara starts the flashback with heavy words like torture, terror and the likes of it; but sadly it’s all just words and no action whatsoever.
The screenplay is so bad that the characters have to verbalise the scenes so that the audience might understand what they (characters) are going through which exhibits a blatant absence of feel that is required for any scene to reach the audience!! With umpteen characters (all played by major artistes) which are so very ill conceived it’s a cruelty to the film and unfair to the artistes of this calibre!!
Next comes the dialogues that make you laugh and cry at regular intervals; but the sad part is that both the laughter and crying are the unintentional by-products of some of the worst dialogues that you have seen in the recent times. After a point your laughter and crying would cease to make way for indifference owing to the realisation that it has reached the incorrigible plane!
In short Arrambam is a waste of time, money and efforts.
I am giving a 1.5 for Arrambam. Stay away!!
Rating Scale (Out
of 5)
Less than 2 - Unwatchable.
2 to 2.25 - Below average.
2.5 to 2.75 - Average.
3 to 3.25 - Good.
3.5 to 3.75 - Really Good.
4 to 4.25 - Great.
4.5 and above - Extraordinary.
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